Notes by Autumn Light

On Hebrew, English, translation, editing, and more—by Jonathan Orr-Stav


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Nice try—but (alas) no nargillah

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Liron Lavi Turkenich is a young and engaging Israeli graphic designer with a commendable idea: bridge the cultural gap between Israel’s Hebrew speakers and its Arab population by creating a ‘hybrid’ font set comprising characters that are half Hebrew, half Arabic:

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Fig. 1: A blend of the Hebrew and Arabic words for “language”, in the “Aravrit” font. Unfortunately, it looks nothing like the Arabic word, and most resembles the Hebrew word שנאה (sin’ah) = ‘hate’

I read briefly about this font (cleverly dubbed Aravrit—a play on the Hebrew words aravit and ivrit, i.e., ‘Arabic’ and ‘Hebrew’) a few months ago, and even adopted the first combined word that you see in the video (which allegedly depicts the word ‘language’ in both Hebrew and in Arabic) in my latest talk, about ‘Arabic Hebrew‘ (see Fig. 1).

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If I time traveled to Israel in the times of King David, how much of my Hebrew would people understand?

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Interesting question. The good news is that the Hebrew of King David’s time is actually closer to modern Hebrew than that of the Second Temple period (with its considerable Aramaic influences).  This is partly due to the deliberate efforts of the Zionist leadership to hark back to the nation’s heroic past, and partly because, in the revival of Hebrew in the modern era, the narratives of the Hebrew Bible provided far more source material than the Second Temple period, when the Talmudic Sages (who were virtually the only ones putting things down in writing) tended to slip into Aramaic all the time.

As a result, the glimpses of dialogue that we see in David’s time sound remarkably contemporary.  Two examples, out of many:

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How did the Ishmaelites lose their Hebrew tongue?

Well, if you take the biblical account literally, Ishmael—the forefathers of all Arabs—moved with his mother, Hagar, southeast into the Arabian peninsula, where over the next two thousand years or so, it evolved into something different, which is known as Arabic.

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Arabic Hebrew: An introduction to how modern Israelis really speak

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Join me on Sunday, February 19, 2017  2:30 pm, at Congregation Emanu-El synagogue, Victoria, B.C., for the second talk in its series Sketches of Israel and the Middle East, when I address the topic Arabic Hebrew: An Introduction to How Modern Israelis Really Speak.

(Can’t make it that day? State your interest in attending the talk on another occasion (and preferred day and time) in our online poll.

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Is it possible to write Hebrew in Arabic script and vice versa?

Hebrew in Arabic—in principle, yes: Arabic has a direct equivalent of every Hebrew letter, plus six more. However, there are four caveats to this:

  1. The Hebrew gimmel, by default, is a hard g sound—whereas in Arabic, the equivalent letter (ج – jim) is like a soft g (//), like the English j. However, it could be decided that it is pronounced like a hard g, as in Egyptian Arabic.
  2. The Hebrew vav sounds like /v/, but its equivalent Arabic letter, waw (و) is pronounced like the English w. However, it could be decided that it is pronounced /v/, since Hebrew has no /w/ sound.
  3. The Arabic script has no hard /p/ letter—however, the Persian script (which is a near-identical derivative) does (پ)—so that could be used.
  4. The Hebrew tzadi is pronounced /ts/, but its Arabic equivalent, ṣād (ص) sounds like /s/—so one would have to decide that it is pronounced /ts/.

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If the Hebrew and Arabic writing are derived from a common ancestor, why is one written in cursive and the other not?

From the time of the Canaanite enslavement in Egypt in the 1900s BCE the end of the First Temple—a period of 1400 years—Hebrew was written in the Canaanite script that was common to all Canaanite peoples. During their three generations of exile in Babylon, the Judean upper classes were exposed to the Assyrian/Aramaic script, which was inspired by the Canaanite script but had evolved, under centuries of Mesopotamian scribes, into a more disciplined set of forms designed around a squarish template (rather like that of the original calculator displays).

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